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The following article was originally printed in Ancient American magazine, Volume Four, Issue #27. This was an early report on what is certainly an important artifact. Although well documented since the 1930's, this site has been largely ignored or overlooked. Since this article was written, more information has developed, and some of my ideas about the artifact have changed. I therefore plan to post at least two additional articles about this rock. I don't believe I can overstate its importance.
BABY
ROCK – OGHAM IN CALIFORNIA by
Steve
Bartholomew
There
is a rock not far from here, not far from where I live.
Locals call it “Indian Rock,” or sometimes “Baby Rock.” My
friend and I found it on a warm, sunny afternoon.
We had both been searching for it for weeks.
Oddly enough, we only discovered our mutual quest when we happened
to meet at the County Museum, where we were both looking for references.
We discovered we had each been trying to find the same rock at the
same time, for different reasons. The
afternoon we found it, I climbed an embankment, looked, and said one word
– “Yes.” Then we were
both silent a long time. It
was a silence of reverence and wonder. Before
I tell you more about this rock, I find I must tell you something about
the place where I live, so that you will understand something of why this
rock is so special. My
friend Suzanne and I live in Lake County, California.
This place is different from most other places in the world, and
most people here are pleased about that.
We’re located only about 150 miles north of San Francisco, but it
sometimes seems like another planet.
The
County is dominated by two main geographical features- a dormant volcano,
Mt. Konocti, and Clear Lake, possibly the oldest lake in the western U.S.
and the largest in California. Before
the European invasion, Pomo Indians, Mi-Wok and other peoples lived here
in peace and prosperity for about ten thousand years.
No one saw any point in going elsewhere. The
County is surrounded by mountains, which tends to keep outsiders away.
The Spanish missions never got this far. Neither did the railroad.
Even today, the only roads in or out are narrow and winding.
So we tend to be insular. There
are a lot of old things around, that haven’t yet been changed,
destroyed, or even discovered. After
living here five years myself, I’m only now beginning to find the great
wealth of archeological treasure that lies around and beneath us.
I
had heard of “Indian rock.” I
had heard there were markings on it.
Vague descriptions made it sound as if it might hold some kind of
writing. Based on these
descriptions, I was eager to find it.
Suzanne
was looking for this rock for a different purpose – she was working on
her master’s degree in History. We
found references to Indian Rock on file at the museum library.
The only picture we could find was an old photocopy, which showed
almost no detail. The
earliest record was in 1936. The
reason this object was called “Baby Rock” was because of what Pomo
Indians had told early investigators: That it was used as a “healing
stone” and that it could help infertile women become pregnant.
“Baby
Rock” is situated on a private ranch in Lake County; this is as much as
I will mention about its location in a public forum.
There are two reasons for my reticence: To protect the ranch owners
from trespassers, and more important to protect the rock from vandals and
souvenir hunters. According
to local legend, there was another inscribed rock here at one time, but it
has since disappeared. Suzanne
and I had to cross a dry creek bed and climb the opposite bank to reach
the stone. I believe it’s
significant that it’s located on the bank of a creek; such places were
often regarded as “energy points” by native peoples.
There are several similar rocks nearby, higher on the hillside, but
we could find no inscriptions on them.
So
far, I have already told you all that we knew about Indian Rock before
actually laying eyes on it. I
had wanted to track it down simply because I had heard vague descriptions
that sounded like writing. Nothing
I had heard or read prepared me for what I saw.
Of
course, I had seen other pictographs in this area, as well as various
Indian artifacts. I had even
seen one or two that looked vaguely like Ogham.
But this was different. I
walked slowly around this rock, silently amazed.
Indian
Rock is entirely covered with
Ogham writing. If
there was any doubt in my mind at the time, it was later dispelled as I
studied my photographs and compared them with other examples from various
reference books. This is
unmistakably and unequivocally Ogham.
As
I looked at the surface of the rock it also became clear that it had
astronomical functions. There
is one obvious marker near the top, shaped like a pointer.
In the exact center is a tiny round hole, where a wooden peg could
be inserted. The pointer
points southwest, so that the sun rising in the northeast would cause a
peg to cast a shadow across the point.
I believe this was most likely a marker for Summer solstice
sunrise. While
at the site I took a compass bearing for the pointer, using a lensatic
pocket compass. I read 2400,
which would give a back bearing of 600.
That is, a sun at 600 would cause a peg inserted in the
center of the figure to cast a shadow at the point.
This
bearing would be perfect, since Summer solstice sunrise at this latitude
in theory occurs at 59038’.
However, this leaves out two factors – magnetic deviation, and
the hillside to the northeast of the rock.
After thinking about the problem, we have concluded that the only
way we can prove this is actually a Summer solstice marker is either by
means of surveying instruments and an ephemeris, or by visiting the rock
at dawn next June 21st! The latter solution would seem easier and more accurate,
provided it doesn’t rain.
Indian
Rock itself is only about five feet high and ten feet in diameter.
Entirely covered with inscriptions, it must have been in use for
many years. The very wealth
of writing itself makes translation extremely difficult, since it’s
often hard to tell where one inscription leaves off and another begins. The
Ogham here is typical of that found in the eastern U.S. and in the
Midwest. There are several
different styles. In some
cases there are words formed with a traditional baseline and vertical
strokes. In others, a natural
crevice is used as baseline. Other
words are inscribed without a base. There are some symbols that appear to
be vowel indicators, typical of later forms of Ogham; in some cases a
vowel is indicated with an extended vertical stroke.
Here
I must make a disclaimer: I am neither an Ogham expert nor a linguist; I
am merely a reporter. However,
with even my scant familiarity with this alphabet, I was able to recognize
one word almost immediately. This
was “B-L,” the name of the sun god Baal or Bel in Ogham consaine.
It is found in at least two prominent places on top of the rock. The letter “B” is a later American form, like a “V”
on its side. The “L” is
two short vertical strokes with no baseline.
Another
inscription I could make out appears to spell: “M-G, M-H-M-B.”
The separation between the first and second word is indicated by
the way the letters slant. According
to Barry Fell, “M-H-M-B” refers to Mahair Mabon, the Celtic mother
goddess whose name is often found on fertility stones.
The meaning of “M-G” is uncertain.
Barry Fell gives the meaning of “fog or mist,” but in Old Irish
“mag” is an open field. This
would make sense in the context – “Field of the Mother Goddess.”
I became aware of the above translation on flipping through America
B.C. There, on page 240, I found a picture of an almost
identical inscription on a fertility stone in Vermont.1 I’m
aware that I’m on shaky ground here.
We don’t even know for sure what language this is.
I prefer to leave the difficult task of translation to others. However, it was startling to discover a similar Ogham
inscription in California and on a “baby rock” in New England! Besides
the obvious sun marker on top, there are a number of other designs
probably astronomical in nature, but less apparent in their purpose.
There are nine sunburst designs.
There are also two other designs with holes in the center – but
these are square holes, rather than round.
This
detail I found puzzling, since I could not understand why someone would
want a tiny square hole rather than a round one; nor could I understand
how they were made without metal tools.
Then
I realized that until the 19th Century, most hand wrought nails
were square in shape. Probably
the maker wanted a peg for casting a shadow in the design, but instead of
using wood he simply drove a nail into the rock.
The nail may have remained there for years, until it rusted and
fell out, leaving a perfect square hole.
This fact would indicate the rock was in use until well after the
White Invasion. I
hope I have conveyed something of my sense of amazement on the day I first
saw Indian Rock. But this was
nothing to my sense of amazement later, when I began to examine some of
the previous reports filed on this same artifact. One
such report describes the “rock art” in great detail: The
top of the boulder bears hundreds of cupules and incised grooves…
the incised grooves form sometimes complex, parallel-line,
radiating, and intersecting-line patterns, often associated with one or
more cupules… The
writer counted a total of 214 cupules.
Oddly, he never mentions that some of them are blackened inside, as
if they had been used for burning incense or some other substance.
What I found odder still was his complete lack of awareness of
archeoastronomy. On
the other hand, I was not surprised at the fact that none of the previous
investigators had noticed that the rock is covered with writing.
It has been long standing dogma that Indians were illiterate.
In reality, it is the archeologists who are illiterate.
Finally,
what are we to make of this artifact?
What is it trying to tell us?
That the Celts reached California and traded with the Indians?
Possibly, but not necessarily.
There are several other possibilities: One
alternate scenario is that the Ogham alphabet traveled independently all
the way to the West Coast and was adopted by the Pomo, Wappo and Mi-Wok.
This is not impossible, since Ogham is one of the oldest forms of
writing known; it may be related to Sumerian Cuneiform.2
On the other hand, I’m skeptical about this idea because of the lack of
supporting evidence. Furthermore,
why would a Pomo use the names of Celtic gods such as Baal and Mahair
Mabon? I
would like to propose a third possibility.
Ogham was an evolving and changing alphabet; the early forms were
not identical to the later styles. It’s
my hypothesis that Gaelic or Celtic traders introduced Ogham quite early
to the East Coast of the U.S. Certainly
they left plenty of inscriptions to prove that.
Native
Americans would have observed the inscriptions and regarded them as a form
of magic. They began to copy
some of the more important symbols, such as “Baal.”
This symbol ceased to be a phonetic spelling and became an
ideogram, meaning “God,” “Sun,” or perhaps, “Power.”
The word thus traveled unchanged yet unverbalized all the way
across the continent. My
theory may be wrong, but I can not find a more plausible one. Meanwhile,
Indian Rock sits there in the middle of a horse pasture, year after year,
in hot sun and drenching rain, bearing its silent message through the long
years. Formed of diorite, it
is a hard, brittle stone that may endure for centuries, or until the creek
undermines its foundation and it topples in.
The rock’s message will last a long time, but not forever.
Some
day, I hope a real epigrapher may undertake the daunting task of
translating Baby Rock. I hope it happens before our history is lost
forever.
1 Barry Fell, “America B.C.” Demeter Press, 1976. 2 See, for example, “Ogam Consaine and Tifinag Alphabets, Ancient Uses,” Warren W. Dexter; Academy Books, 1984. Note: There is a great deal more to learn from this rock, and more to be said about it. I will limit myself, however, to two brief addenda to this first article. The second is here. For a view of some Ogam found in a different area of California, look here.
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